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This article was in the April 2009 edition of Point of View  POV® magazine.
Reprinted here with permission.



Storyteller
by Emmalee Antill

If you’re looking to escape for just a few hours, take a scenic drive on Highway 1 to the small town of Donaldsonville to view the work of an unforgettable artist. In the historic district lies the studio of Alvin Batiste, whose primitive art paintings allow onlookers to step into another time and place.

Batiste has been creating art since he was a child. His mother, Lillian Little Batiste, encouraged him to expand his craft and to always create his own unique art. While her encouragement helped Batiste make art, it wasn’t until he saw a painting program on television that Batiste began to experiment with paint. It was with paint that Batiste began to make his career as an artist.

Sandra Imbraguglio ran a small store where Batiste bought many painting supplies. She eventually asked Batiste what he was doing with the supplies; he explained and she then offered to display and sell his works in her store. Batiste sold his first painting for $10. “That was it,” Batiste laughed. He knew that painting was his career.

Batiste continued painting and his popularity quickly grew. He began doing posters for local fairs, doing fund- raisers for Children’s Miracle Network and began getting recognition in many folk art books. Batiste’s most famous artwork became famous by chance. Actor and musician Billy Bob Thornton was filming the movie “The Badge”
in Donaldsonville. He was on a break and walked through historic downtown Donaldsonville where he came across Rossie’s Frames and Things where Batiste’s artwork was hanging. Thornton liked the works so much he commissioned Batiste to do his portrait. Thornton then used the painting as the cover for his debut album “Private Radio”. It’s no surprise that Batiste’s paintings were able to pull the actor from the streets. His works have a life and movement that everyone stops to see.

Each Batiste artwork is unique. The subject matter ranges from biblical scenes, plantation life, or portraits. Each painting has vibrant colors, yet it is the movement in each piece that really takes the viewer away. In one painting of a gospel choir, one can almost hear the clapping and the “Hallelujahs”. The colors and the shadows seem to make each piece come alive.  In another painting of a one-room schoolhouse, the viewer can practically hear the shuffle of desks and the smell of chalk.

Batiste paints the vibrant and lifelike pieces of bygone days while calmly and peacefully sitting in the front window of his gallery at Rossie’s Frames and Things. Everyone who passes by stops, waves and enjoys escaping through his art into another time and another place. pov



The Primitive Art of African American Artist, Alvin Batiste